Prince - for you, on warner bros. records and tapes, WB, Music poster, concert poster
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11:22 |
On Reprise records and tapes, fleetwood Mac, misc item, music poster, concert poster
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11:20 |
Orchestra Hall, Nov. 12, First across the atlantic.JB Pond, Lyceum Bureau, New YorkTranslantic 90.5 x 41 Oversized 3 sheet
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15:56 |
Angel and the Badman, US movie poster, 1947, Director: James Edward Grant Writer: James Edward Grant Stars: John Wayne, Gail Russell, Harry Carey
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15:50 |
Royal Festival hall, general manager t.e.bean, the loc and the bbc light programme present the light programme, music festival of 1955,
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15:32 |
Picasso 5793 Les Deux Saltimbanques: l’Arlequin et Sa Compagne (The Two Saltimbanques: The Harlequin and His Companion), c.1960 Color lithograph hand signed and numbered in pencil/coloredpencil/crayon 28.5 x 38 Edition: 92/125
The object was lightened four times during one treatment cycle. The results were mitigating extensive discoloration throughout. Further lightening treatment is not advisable, as it would put the signature at risk of loss and greatly increase the risk of physical damage to the paper.
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15:24 |
M atisse 6000 Odalisque sur la terrasse (Odalisque on the Terrace), 1922 Color Aquatint Hand signed an numbered in ink 24.75 x 28. Edition: 145/200
The object was lightened 3 times in the first treatment cycle and an additional 3 times during a second treatment cycle. The object required a more aggressive approach because of the staining that was imparted by the mat, backing board and adhesive. Further lightening treatment is not advisable,...
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15:23 |
CANNOT RETREAT Matisse 6100 Odalisque au coffret rouge (Odalisque in Red Box) , 1952 Color Aquatint hand signed and numbered in pencil Edition: 14/ 300, 28.5 x 22.5 28.5 x 22.5 -Please clean. Maintain colors, signatures/numbering , remove tape, maintain plate mark as much as possible, ...
The object was lightened four times over the course of one treatment cycle in order to mitigate staining. Further lightening treatment is not advisable, as it would put the signature at risk of loss and greatly increase the risk of physical damage to the paper.
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15:21 |
Chagall 6105 L’ange du jugement (The Angel of Judgment), 1974 Color Lithograph Hand signed and numbered in pencil Edition: 92/200 21.5 x 28.6
The object was lighten twice during one treatment cycle. The matte burn present was very minimal and diminished nicely. Further lightening treatment is not advisable, as it would put the signature at risk of loss and greatly increase the risk of physical damage to the paper.
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15:02 |
Marc Chagall, fine art print, 6085 Les Amoureux de la Tour Eiffel (The Eiffel Tower Lovers), 1960 Color lithograph Hand-signed and numbered in pencil Edition: 18/50 19.75 x 26.37
The object was treated three times during one treatment cycle. Further lightening treatment is not advisable, as it would put the media and signature at risk of loss or diminishment and greatly increase the risk of physical damage to the paper.
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15:00 |
Marc Chagall, fine art print, 6080 Le Dimanche (On Sundays) from Derrière le Miroir, 1954 11.25 x 15.75 Color lithograph Hand signed in pencil
The object was treated four times during one treatment cycle. Further lightening treatment is not advisable, as it would put the signature at risk of loss and greatly increase the risk of physical damage to the paper.
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14:59 |
P icasso 6107 Nature morte au citron et un pichet rouge (Still Life with Lemon and Red Pitcher), c.1955 Color aquatint hand signed and numbered in pencil 25.87 x 19.75 Edition: 112/300
The object was treated three times during one treatment cycle. Further lightening treatment is not advisable, as it would put the signature at risk of loss and greatly increase the risk of physical damage to the paper.
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14:58 |
Chagall 6097 The Tribe of Benjamin (From Twelve Maquettes of Stained Glass Windows), 1964 Color Lithograph Hand signed and numbered in pencil Edition: 8 / 25 22.87 x 28.5, Marc Chagall, fine art print
The object was lightened three times during one treatment cycle in order to mitigate discoloration. Further lightening treatment is not advisable, as it would put the signature at risk of loss and greatly increase the risk of physical damage to the paper.
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14:57 |
1979 French One Panel, Director: Walter Hill Stars: Michael Beck, James Remar, Dorsey Wright, bus stop
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11:22 |
Smash Japanese Aggression!, Royal air force bomber, War poster,
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10:58 |
Ringling Bros, Arenic Sensation, May Wirth, World Famous Equestrienne, The Greatest Bare back rider that ever lived, Circus poster, 1918
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11:15 |



















