Picasso 6098 Affiche Exposition de Céramiques (Ceramic Exhibit), 1958 Color Lithograph Please clean 18 3/4 x 25 1/2
The object was lightened three times during one treatment cycle. Further lightening treatment is not advisable, as it would greatly increase the risk of physical damage to the paper.
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12:07 |
Miro N/A Los Videntes Sheet 6 Color Lithograph E: EA artist proof Please clean and address scratches 20 x 26
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12:06 |
Miro 6159 Ubu aux Baléares, 1971 Color lithograph Please clean 23 1/4 x 26 1/4
The object was lightened three times during one treatment cycle. Further lightening treatment is not advisable, as it would greatly increase the risk of physical damage to the paper.
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12:05 |
Miro 5422 Lithographe II (Lithographs II) Pl. 10, 1975 Color lithograph Please clean 20 5/8 x 13 3/8 - Conservation Treatment
The object was lightened four times during one treatment cycle. Further lightening treatment is not advisable, as it would put the signature at risk of loss and greatly increase the risk of physical damage to the paper.
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12:04 |
Picasso 5282 Vallauris Peinture et Lumière, X? Anniversaire (Vallauris Painting and Light, Tenth Anniversary), 1964 Picasso linocut, this work is backed. Signed and numbered 24 5/8 x 29 1/2
The object was lightened three times during one treatment cycle. Further lightening treatment is not advisable, as it would put the signature at risk of loss and greatly increase the risk of physical damage to the paper.
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12:04 |
Miro 5656 Terres de grand feu (Land of Great Fire), 1956 Color Lithograph Edition: 71/200 Please clean 21 x 29 - Conservation Treatment
The object was lightened three times during one treatment cycle. Further lightening treatment is not advisable, as it would put the signature at risk of loss and greatly increase the risk of physical damage to the paper.
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12:02 |
Miro 5487 Terres de grand feu (Land of Great Fire), 1956 Color lithograph Edition: HC Please clean 21 x 29 - Conservation Treatment
The object was lightened five times during one treatment cycle. Further lightening treatment is not advisable, as it would put the signature at risk of loss and greatly increase the risk of physical damage to the paper.
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12:02 |
Chagall, marc chagall 5709 L’Artiste au Chevalet (The Artist at the Easel), Unique Hand-colored Watercolor with Pen and Ink on Paper
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11:57 |
French 1 panel, 1953, Caroline Cherie, Director: Jean-Devaivre Writers: Cécil Saint-Laurent (novel), Jean Anouilh | 1 more credit » Stars: Martine Carol, Jacques Dacqmine, Marthe Mercadier
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12:30 |
1975, French 1 panel, Director: John Schlesinger Writers: Nathanael West (novel), Waldo Salt (screenplay) Stars: Donald Sutherland, Karen Black, Burgess Meredith
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12:15 |
1965, French 1 panel, Director: Paul Henreid Writers: Paul Henreid (story), Burton Wohl Stars: Ray Charles, Tom Bell, Mary Peach
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12:15 |
La Fille Sauvage, 1922,French 2 panel, Mounted to linen, damaged in storage, Director: Henri Étiévant Writer: Jules Mary (novel) Stars: Nathalie Lissenko, Romuald Joubé, Irène Wells
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12:10 |
La Valse de L'Adieu, French 1 panel, 1934, Directors: Albert Valentin, Géza von Bolváry Writers: Ernst Marischka, Jacques Natanson (dialogue) Stars: Jean Servais, Janine Crispin, Lucienne Le Marchand
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12:08 |
La Fille Sauvage, 1922,French 1 panel, Mounted to linen, damaged in storage, Director: Henri Étiévant Writer: Jules Mary (novel) Stars: Nathalie Lissenko, Romuald Joubé, Irène Wells
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12:01 |
