The Call To Arms
English one sheet original movie poster for the 1910 silent film "The Call to Arms
," produced by the Biograph Company. This historical costume drama was directed by the pioneering filmmaker D.W. Griffith and released on July 25, 1910.
Key Movie Details
Starring: The film features Henry B. Walthall as the Feudal Lord and Marion Leonard as his wife, Regina. A young Mary Pickford also appears in a supporting role as a messenger.
Plot: The story follows a medieval Lord who is summoned to battle. In his absence, his treacherous cousin (played by Joseph Graybill) attempts to steal a valuable family heirloom, the "Great Ruby," while besieging the Lord's wife.
Production: The film was shot at Lambert Castle in Paterson, New Jersey, and features cinematography by G.W. Bitzer.
Significance of the Poster
The "Biograph Masterpiece" branding at the bottom signifies the studio's prestige during the early 1910s, when they were considered the most influential film studio in the United States. Posters from this era typically illustrated specific scenes to entice audiences into nickelodeons and early movie houses.
," produced by the Biograph Company. This historical costume drama was directed by the pioneering filmmaker D.W. Griffith and released on July 25, 1910.
Key Movie Details
Starring: The film features Henry B. Walthall as the Feudal Lord and Marion Leonard as his wife, Regina. A young Mary Pickford also appears in a supporting role as a messenger.
Plot: The story follows a medieval Lord who is summoned to battle. In his absence, his treacherous cousin (played by Joseph Graybill) attempts to steal a valuable family heirloom, the "Great Ruby," while besieging the Lord's wife.
Production: The film was shot at Lambert Castle in Paterson, New Jersey, and features cinematography by G.W. Bitzer.
Significance of the Poster
The "Biograph Masterpiece" branding at the bottom signifies the studio's prestige during the early 1910s, when they were considered the most influential film studio in the United States. Posters from this era typically illustrated specific scenes to entice audiences into nickelodeons and early movie houses.
Before
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