Growing #3
Fine Art Keith Haring Growing 4, a screenprint created by the American artist Keith Haring in 1988. It is part of a larger portfolio of five prints also titled "Growing".
Artwork Details
Artist: Keith Haring (1958-1990)
Title: Growing 4 (also known as Growing, Plate 4)
Medium: Screenprint in colors on Lenox Museum Board
Date: 1988
Edition Size: The work was published in a limited edition of 100, and is typically hand-signed, dated, and numbered in pencil.
Dimensions: The sheet size is approximately 30 x 40 inches (76 x 102 cm).
Themes and Symbolism
The Growing series explores themes of community, unity, and transformation.
Composition: The image features numerous conjoined, stick-like figures that grow organically outward from a single, central figure, resembling a tree or a communal structure.
Message: The interconnectedness of the figures suggests the power of working together and subverts the focus on individualism prevalent in capitalist society. The vibrant colors and dynamic poses evoke joy and togetherness, reflecting Haring's interest in 1980s hip-hop and breakdancing.
Context: Haring created this series in 1988, two years after his HIV diagnosis, and the works can be seen as an optimistic portrayal of mankind's potential and a call for support and unity during a period of socio-political division, particularly the AIDS epidemic.
Artwork Details
Artist: Keith Haring (1958-1990)
Title: Growing 4 (also known as Growing, Plate 4)
Medium: Screenprint in colors on Lenox Museum Board
Date: 1988
Edition Size: The work was published in a limited edition of 100, and is typically hand-signed, dated, and numbered in pencil.
Dimensions: The sheet size is approximately 30 x 40 inches (76 x 102 cm).
Themes and Symbolism
The Growing series explores themes of community, unity, and transformation.
Composition: The image features numerous conjoined, stick-like figures that grow organically outward from a single, central figure, resembling a tree or a communal structure.
Message: The interconnectedness of the figures suggests the power of working together and subverts the focus on individualism prevalent in capitalist society. The vibrant colors and dynamic poses evoke joy and togetherness, reflecting Haring's interest in 1980s hip-hop and breakdancing.
Context: Haring created this series in 1988, two years after his HIV diagnosis, and the works can be seen as an optimistic portrayal of mankind's potential and a call for support and unity during a period of socio-political division, particularly the AIDS epidemic.
Disclaimer
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