La Revue Blanche
Halfsheet on thin material famous 1894 color lithograph
poster titled La Revue blanche by the French artist Pierre Bonnard. It was commissioned to advertise the monthly avant-garde Parisian arts and literary journal of the same name, which published works by major writers and artists of the day.
Artwork Details
Artist: Pierre Bonnard (1867-1947)
Title: La Revue blanche (The White Review)
Date: 1894
Medium: Color lithograph on paper
Publisher: La Revue Blanche
Printer: Edward Ancourt, Paris
Composition and Context
The poster features an elegantly dressed Parisian woman, believed to be Misia Natanson, the wife of one of the journal's founders, Thadée Natanson. She holds a copy of the magazine next to a scruffy newsboy, with a third figure lurking in the background. The flattened space, bold shapes, and playful typography were inspired by Japanese woodblock prints and represent the democratic philosophy of the Nabis group, to which Bonnard belonged, by bringing art into everyday public life through print media.
poster titled La Revue blanche by the French artist Pierre Bonnard. It was commissioned to advertise the monthly avant-garde Parisian arts and literary journal of the same name, which published works by major writers and artists of the day.
Artwork Details
Artist: Pierre Bonnard (1867-1947)
Title: La Revue blanche (The White Review)
Date: 1894
Medium: Color lithograph on paper
Publisher: La Revue Blanche
Printer: Edward Ancourt, Paris
Composition and Context
The poster features an elegantly dressed Parisian woman, believed to be Misia Natanson, the wife of one of the journal's founders, Thadée Natanson. She holds a copy of the magazine next to a scruffy newsboy, with a third figure lurking in the background. The flattened space, bold shapes, and playful typography were inspired by Japanese woodblock prints and represent the democratic philosophy of the Nabis group, to which Bonnard belonged, by bringing art into everyday public life through print media.
After
Re-lined
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