Keith Haring IV #D Pop Shop Radiant Baby
specific print from
Keith Haring's Pop Shop IV portfolio, which is often referred to as "Radiant Baby" or "Untitled (Pop Shop IV - D)". This is a hand-signed and numbered original screenprint from 1989.
Artwork Details
Artist: Keith Haring (1958–1990)
Title: Untitled (from the Pop Shop IV portfolio, Plate II or D)
Year Created: 1989
Medium: Screenprint in colors on wove paper
Signature: Hand-signed and dated in pencil by Keith Haring
Edition: The print in the image is numbered 86/100. Other editions of this work usually come from an edition of 200 or 250, so this specific numbering suggests it may be part of a smaller, possibly unique or artist's proof run, or a different portfolio edition.
Fine art serigraph by Keith Haring 16.5 x 13.5 inches with 3 colors (the black ink is very thick and glossy). Signed in pencil "K. Haring 89 (cirle x)". Small embossment of a lizard on lower left. at lower left verso written in pencil "KH-P-58BN" there are no watermarks in the paper. Print was received in a simple frame measuring 24.75 x 21.5 x 1.25 with plexiglass glazing. The print was "float mounted" using 4 waterbased self-adhesive linen hinges, one in each corner. The backing to which the art was mounted shows yellowing around the area that the art was mounted (most likely caused by exposure to light). The print displays significant planar distortion caused by restricted expansion.
Keith Haring's Pop Shop IV portfolio, which is often referred to as "Radiant Baby" or "Untitled (Pop Shop IV - D)". This is a hand-signed and numbered original screenprint from 1989.
Artwork Details
Artist: Keith Haring (1958–1990)
Title: Untitled (from the Pop Shop IV portfolio, Plate II or D)
Year Created: 1989
Medium: Screenprint in colors on wove paper
Signature: Hand-signed and dated in pencil by Keith Haring
Edition: The print in the image is numbered 86/100. Other editions of this work usually come from an edition of 200 or 250, so this specific numbering suggests it may be part of a smaller, possibly unique or artist's proof run, or a different portfolio edition.
Fine art serigraph by Keith Haring 16.5 x 13.5 inches with 3 colors (the black ink is very thick and glossy). Signed in pencil "K. Haring 89 (cirle x)". Small embossment of a lizard on lower left. at lower left verso written in pencil "KH-P-58BN" there are no watermarks in the paper. Print was received in a simple frame measuring 24.75 x 21.5 x 1.25 with plexiglass glazing. The print was "float mounted" using 4 waterbased self-adhesive linen hinges, one in each corner. The backing to which the art was mounted shows yellowing around the area that the art was mounted (most likely caused by exposure to light). The print displays significant planar distortion caused by restricted expansion.
Recto
Verso
Frame Recto
Martin Lawrence Limited Editions Inc.
Artist Haring
Title Untitled IV #D
Medium Screenprint
This frame which contains acid free hinging materials and 100% rag, should be hung away from sunlight in low, indirect light. To clean the plexiglass facing use only plexiglass cleaner and soft cloth.
Due to the nature of the paper and printing process, original fine art prints often do not lay completely flat (especially during humid weather conditions).
inventory # HAR0300NU0086
framing code 3-951687 ML 01/31/93 05/09/9?
Artist Haring
Title Untitled IV #D
Medium Screenprint
This frame which contains acid free hinging materials and 100% rag, should be hung away from sunlight in low, indirect light. To clean the plexiglass facing use only plexiglass cleaner and soft cloth.
Due to the nature of the paper and printing process, original fine art prints often do not lay completely flat (especially during humid weather conditions).
inventory # HAR0300NU0086
framing code 3-951687 ML 01/31/93 05/09/9?
Frame Verso
Procedures
Frame was opened and hinges were cut to free the artwork from the frame. Print was photographed and examined on a light table and under strong light and magnification. The results of the examination are documented herein.Conclusion
Recommend hinge removal but not flattening because there is a strong possibility that the thick black ink could fracture if the artwork is sufficiently humidified.Disclaimer
The object and/or subject of this report is private property. This page is for informational purposes only. Unless clearly stated otherwise, all conservation and restoration has been performed by Poster Mountain (PM) or Los Angeles Paper Group (LAPG)I) PM-LAPG has not knowingly withheld any significant information from its evaluation report and to the best of its knowledge all statements and evaluations in this report are true and correct.
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