Aaron Painting
Original fine art painting on nautical map The artist is Billy Al Bengston.
This piece fits Bengston very cleanly:
He is well known for painting aggressively over found surfaces, including nautical charts.
The combination of Southern California hard-edge sensibility with gestural, almost violent mark-making is classic Bengston.
He had a long fascination with speed, competition, and maritime themes, and he produced several works tied to America’s Cup racing.
The signature and inscription at lower right (“America’s Cup 12th Challenge… Newport… Sept. 17, 1984”) align with documented Bengston chart works from the early–mid 1980s.
Art-historically, this sits at the intersection of:
West Coast Finish Fetish / L.A. abstraction
Post-Abstract Expressionist gesture
Conceptual use of maps as symbolic systems rather than literal geography
LeRoy Neiman signature appears at lower right.
This piece fits Bengston very cleanly:
He is well known for painting aggressively over found surfaces, including nautical charts.
The combination of Southern California hard-edge sensibility with gestural, almost violent mark-making is classic Bengston.
He had a long fascination with speed, competition, and maritime themes, and he produced several works tied to America’s Cup racing.
The signature and inscription at lower right (“America’s Cup 12th Challenge… Newport… Sept. 17, 1984”) align with documented Bengston chart works from the early–mid 1980s.
Art-historically, this sits at the intersection of:
West Coast Finish Fetish / L.A. abstraction
Post-Abstract Expressionist gesture
Conceptual use of maps as symbolic systems rather than literal geography
LeRoy Neiman signature appears at lower right.
After
Out of Frame
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