Night of the Hunter
One sheet theatrical release poster for the
1955 American film noir thriller The Night of the Hunter.
Film Overview
Directed by renowned actor Charles Laughton in his only directorial feature, the movie is a celebrated example of the Southern Gothic genre. It is highly regarded for its lyrical, expressionistic visual style, which was heavily influenced by German Expressionism and silent film techniques.
Director: Charles Laughton.
Screenplay: James Agee, based on the 1953 novel by Davis Grubb.
Producer: Paul Gregory.
Key Cast: Robert Mitchum, Shelley Winters, and Lillian Gish.
Plot Summary
Set during the Great Depression in West Virginia, the story follows Harry Powell (Robert Mitchum), a misogynistic serial killer posing as a preacher. While in prison for auto theft, he learns from a condemned cellmate, Ben Harper, that Harper has hidden $10,000 in stolen loot from a bank robbery.
After his release, Powell tracks down Harper's widow, Willa (Shelley Winters), and her two young children, John and Pearl. He charms and marries Willa to get to the money, which only the children know is hidden inside Pearl's doll. When Willa discovers his true nature, he murders her. The children flee downriver in a small boat, relentlessly pursued by Powell until they find refuge with Rachel Cooper (Lillian Gish), a tough woman who protects abandoned children.
Historical Significance
Initially a critical and commercial failure, the film has since been reassessed as a masterpiece and is often cited among the greatest films ever made. In 1992, it was selected for preservation in the United States National Film Registry. It is also famous for Robert Mitchum's iconic performance, particularly the "LOVE" and "HATE" tattoos on his knuckles.
1955 American film noir thriller The Night of the Hunter.
Film Overview
Directed by renowned actor Charles Laughton in his only directorial feature, the movie is a celebrated example of the Southern Gothic genre. It is highly regarded for its lyrical, expressionistic visual style, which was heavily influenced by German Expressionism and silent film techniques.
Director: Charles Laughton.
Screenplay: James Agee, based on the 1953 novel by Davis Grubb.
Producer: Paul Gregory.
Key Cast: Robert Mitchum, Shelley Winters, and Lillian Gish.
Plot Summary
Set during the Great Depression in West Virginia, the story follows Harry Powell (Robert Mitchum), a misogynistic serial killer posing as a preacher. While in prison for auto theft, he learns from a condemned cellmate, Ben Harper, that Harper has hidden $10,000 in stolen loot from a bank robbery.
After his release, Powell tracks down Harper's widow, Willa (Shelley Winters), and her two young children, John and Pearl. He charms and marries Willa to get to the money, which only the children know is hidden inside Pearl's doll. When Willa discovers his true nature, he murders her. The children flee downriver in a small boat, relentlessly pursued by Powell until they find refuge with Rachel Cooper (Lillian Gish), a tough woman who protects abandoned children.
Historical Significance
Initially a critical and commercial failure, the film has since been reassessed as a masterpiece and is often cited among the greatest films ever made. In 1992, it was selected for preservation in the United States National Film Registry. It is also famous for Robert Mitchum's iconic performance, particularly the "LOVE" and "HATE" tattoos on his knuckles.
Disclaimer
The object and/or subject of this report is private property. This page is for informational purposes only. Unless clearly stated otherwise, all conservation and restoration has been performed by Poster Mountain (PM) or Los Angeles Paper Group (LAPG)I) PM-LAPG has not knowingly withheld any significant information from its evaluation report and to the best of its knowledge all statements and evaluations in this report are true and correct.
II) PM-LAPG stated in the Evaluation Report its own personal, unbiased and professional analysis, opinions and conclusions, which are subject to the assumptions and limited conditions in this evaluation report as set forth hereinabove.
III) PM-LAPG has no present or prospective interests in the property which is the subject matter of this report and it has no present or prospective personal interests or bias with respect to the participants in this matter.
IV) PM-LAPG and its employment and/or compensation for performing this evaluation or any future anticipated evaluation was not conditioned on any agreement or understanding, written or otherwise, that it would report (or present analysis in support) as predetermined specific authenticity, a predetermined evaluation that favors the cause of any party or the attainment of any specific result or occurrence of a specific subsequent event, such as value or marketability.
V) PM-LAPG prepared all opinions and conclusions about the subject property that were set forth in this Evaluation Report. If it has relied on significant evaluation assistance from any individual or individuals in the performance of this evaluation or the appropriation of this evaluation report, PM-LAPG has named such individuals and disclosed the specific task performed in this evaluation report. PM-LAPG certifies that any individual so named is qualified to the same extent as PM to perform the task. PM-LAPG has not authorized anyone to make a change to any item in this evaluation report, therefore, any change made to this evaluation is unauthorized and PM-LAPG will not take responsibility for it.
VI) The Client may not disclose or distribute this Evaluation Report to any potential purchasers of the subject property without first obtaining PM-LAPG's prior written consent. This consent must be obtained before this evaluation report may be disclosed or distributed to any other party, including, but not limited to, the public through advertising, public relations, news, sales, or other media.


