See What Your Missing
One sheet This is an extremely rare promotional poster designed by Jamie Reid in 1977. Reid is the artist famously responsible for the Sex Pistols' iconic "cut-and-paste" aesthetic, including the artwork for their only studio album, Never Mind the Bollocks, Here's the Sex Pistols.
Poster Significance
The poster advertises "Two Films From The Sex Pistols" that were used as "punk propaganda":
Sex Pistols Number 1: A roughly 25-minute short film compiling news footage, TV performances, and interviews from 1976 and 1977. It was intended to showcase the band's impact and the media's often outraged reaction to them.
Never Mind the Sex Pistols, Here's the Problems: Also known as Sex Pistols Number 2 or Jubilee Riverboat. This film documented the band's infamous performance on a boat on the River Thames during Queen Elizabeth II's Silver Jubilee in 1977, which led to multiple arrests.
Design Details
The artwork features various scandalous headlines and phrases associated with the band's notoriety, such as "Foul Mouthed Yobs," "Filth & The Fury," and "They Called The Queen A Moron". These films were often screened at venues where the band’s live performances had been banned by local authorities.
Poster Significance
The poster advertises "Two Films From The Sex Pistols" that were used as "punk propaganda":
Sex Pistols Number 1: A roughly 25-minute short film compiling news footage, TV performances, and interviews from 1976 and 1977. It was intended to showcase the band's impact and the media's often outraged reaction to them.
Never Mind the Sex Pistols, Here's the Problems: Also known as Sex Pistols Number 2 or Jubilee Riverboat. This film documented the band's infamous performance on a boat on the River Thames during Queen Elizabeth II's Silver Jubilee in 1977, which led to multiple arrests.
Design Details
The artwork features various scandalous headlines and phrases associated with the band's notoriety, such as "Foul Mouthed Yobs," "Filth & The Fury," and "They Called The Queen A Moron". These films were often screened at venues where the band’s live performances had been banned by local authorities.
Mounted
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