Chinese Market
Halfsheet
Chinese propaganda poster from 1977 titled New Year's Eve in the collective household Jitíhù de chúx? zh? yè). It was designed by Xia Zhenping.
Poster Details
Title: The Chinese title translates to "New Year's Eve in the collective household". The vertical text on the left reads (Zh?g?n nóngc?n gàn gémìng), which means "Settle down in the countryside to make revolution". The text over the doorway calls to "break with old traditional concepts and celebrate a revolutionary Spring Festival".
Context: The poster was published in June 1977, shortly after the end of the Cultural Revolution. It reflects the "Up to the Mountains and Down to the Countryside Movement," which sent urban youth (known as "sent-down youth" or zh?q?ng) to rural areas to live with and learn from the peasants.
Imagery: The scene depicts a lively and joyful New Year's Eve celebration in a communal setting (a collective household).
People of various ages and ethnicities are gathered, smiling and preparing food, highlighting unity and harmony.
A young woman in a red jacket is a "barefoot doctor," an icon of the era, carrying her medical bag and returning from making house calls in the snow.
Traditional New Year elements like lanterns and couplets (the red papers with calligraphy) are present, but the overall message is one of revolutionary modernization and collective life replacing traditional, family-centered celebrations.
Art Style: The poster uses bright colors and is inspired by the traditional Chinese New Year prints (niánhuà), a genre often adapted for propaganda purposes during this period.
Chinese propaganda poster from 1977 titled New Year's Eve in the collective household Jitíhù de chúx? zh? yè). It was designed by Xia Zhenping.
Poster Details
Title: The Chinese title translates to "New Year's Eve in the collective household". The vertical text on the left reads (Zh?g?n nóngc?n gàn gémìng), which means "Settle down in the countryside to make revolution". The text over the doorway calls to "break with old traditional concepts and celebrate a revolutionary Spring Festival".
Context: The poster was published in June 1977, shortly after the end of the Cultural Revolution. It reflects the "Up to the Mountains and Down to the Countryside Movement," which sent urban youth (known as "sent-down youth" or zh?q?ng) to rural areas to live with and learn from the peasants.
Imagery: The scene depicts a lively and joyful New Year's Eve celebration in a communal setting (a collective household).
People of various ages and ethnicities are gathered, smiling and preparing food, highlighting unity and harmony.
A young woman in a red jacket is a "barefoot doctor," an icon of the era, carrying her medical bag and returning from making house calls in the snow.
Traditional New Year elements like lanterns and couplets (the red papers with calligraphy) are present, but the overall message is one of revolutionary modernization and collective life replacing traditional, family-centered celebrations.
Art Style: The poster uses bright colors and is inspired by the traditional Chinese New Year prints (niánhuà), a genre often adapted for propaganda purposes during this period.
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