Stagecoach
3 sheet movie poster for the 1966 Western film
Stagecoach. It is a color remake of the classic 1939 John Ford film of the same name and features an all-star ensemble cast. The movie's poster art, as well as character portraits used in the end credits, were created by the famous American artist Norman Rockwell, who also has a brief cameo in the film as a townsman.
Plot Summary
Set in the Wyoming Territory in 1880, the film follows a diverse group of strangers traveling together on the eastbound stagecoach from Dry Fork to Cheyenne, while U.S. Cavalry troops announce that the Sioux, led by Crazy Horse, are on the warpath. Each passenger carries secrets or is running from something:
Dallas (Ann-Margret): A saloon girl being driven out of town.
Doc Boone (Bing Crosby): An alcoholic doctor who finds a moment of redemption.
Hatfield (Mike Connors): A tough gambler with Civil War secrets.
Henry Gatewood (Bob Cummings): A corrupt banker on the lam after embezzling funds.
Mr. Peacock (Red Buttons): A liquor salesman disguised as a preacher.
Mrs. Lucy Mallory (Stefanie Powers): A pregnant woman traveling to meet her cavalry officer husband.
They are joined by the Ringo Kid (Alex Cord), an escaped murderer seeking revenge against the Plummer family who killed his relatives. Tensions rise during the journey, but the group is forced to put aside their differences when they are attacked first by Apaches and then by the Plummer outlaws, leading to a desperate fight for survival.
Main Cast
The film features an ensemble cast billed in alphabetical order:
Ann-Margret as Dallas
Red Buttons as Peacock
Michael Connors as Hatfield
Alex Cord as the Ringo Kid
Bing Crosby as Doc Josiah Boone
Bob Cummings as Henry Gatewood
Van Heflin as Marshal Curly Wilcox
Slim Pickens as Buck, the stagecoach driver
Stefanie Powers as Mrs. Lucy Mallory
Keenan Wynn as Luke Plummer
Stagecoach. It is a color remake of the classic 1939 John Ford film of the same name and features an all-star ensemble cast. The movie's poster art, as well as character portraits used in the end credits, were created by the famous American artist Norman Rockwell, who also has a brief cameo in the film as a townsman.
Plot Summary
Set in the Wyoming Territory in 1880, the film follows a diverse group of strangers traveling together on the eastbound stagecoach from Dry Fork to Cheyenne, while U.S. Cavalry troops announce that the Sioux, led by Crazy Horse, are on the warpath. Each passenger carries secrets or is running from something:
Dallas (Ann-Margret): A saloon girl being driven out of town.
Doc Boone (Bing Crosby): An alcoholic doctor who finds a moment of redemption.
Hatfield (Mike Connors): A tough gambler with Civil War secrets.
Henry Gatewood (Bob Cummings): A corrupt banker on the lam after embezzling funds.
Mr. Peacock (Red Buttons): A liquor salesman disguised as a preacher.
Mrs. Lucy Mallory (Stefanie Powers): A pregnant woman traveling to meet her cavalry officer husband.
They are joined by the Ringo Kid (Alex Cord), an escaped murderer seeking revenge against the Plummer family who killed his relatives. Tensions rise during the journey, but the group is forced to put aside their differences when they are attacked first by Apaches and then by the Plummer outlaws, leading to a desperate fight for survival.
Main Cast
The film features an ensemble cast billed in alphabetical order:
Ann-Margret as Dallas
Red Buttons as Peacock
Michael Connors as Hatfield
Alex Cord as the Ringo Kid
Bing Crosby as Doc Josiah Boone
Bob Cummings as Henry Gatewood
Van Heflin as Marshal Curly Wilcox
Slim Pickens as Buck, the stagecoach driver
Stefanie Powers as Mrs. Lucy Mallory
Keenan Wynn as Luke Plummer
Mounted
Disclaimer
The object and/or subject of this report is private property. This page is for informational purposes only. Unless clearly stated otherwise, all conservation and restoration has been performed by Poster Mountain (PM) or Los Angeles Paper Group (LAPG)I) PM-LAPG has not knowingly withheld any significant information from its evaluation report and to the best of its knowledge all statements and evaluations in this report are true and correct.
II) PM-LAPG stated in the Evaluation Report its own personal, unbiased and professional analysis, opinions and conclusions, which are subject to the assumptions and limited conditions in this evaluation report as set forth hereinabove.
III) PM-LAPG has no present or prospective interests in the property which is the subject matter of this report and it has no present or prospective personal interests or bias with respect to the participants in this matter.
IV) PM-LAPG and its employment and/or compensation for performing this evaluation or any future anticipated evaluation was not conditioned on any agreement or understanding, written or otherwise, that it would report (or present analysis in support) as predetermined specific authenticity, a predetermined evaluation that favors the cause of any party or the attainment of any specific result or occurrence of a specific subsequent event, such as value or marketability.
V) PM-LAPG prepared all opinions and conclusions about the subject property that were set forth in this Evaluation Report. If it has relied on significant evaluation assistance from any individual or individuals in the performance of this evaluation or the appropriation of this evaluation report, PM-LAPG has named such individuals and disclosed the specific task performed in this evaluation report. PM-LAPG certifies that any individual so named is qualified to the same extent as PM to perform the task. PM-LAPG has not authorized anyone to make a change to any item in this evaluation report, therefore, any change made to this evaluation is unauthorized and PM-LAPG will not take responsibility for it.
VI) The Client may not disclose or distribute this Evaluation Report to any potential purchasers of the subject property without first obtaining PM-LAPG's prior written consent. This consent must be obtained before this evaluation report may be disclosed or distributed to any other party, including, but not limited to, the public through advertising, public relations, news, sales, or other media.